About


Would you like to have your audios on this site? Take a look at the categories. That’s the kind of stuff I can use.

Songs and Poems
I welcome songs and poems, composed by students of English. In the case of poems submitted, I may I may write music to it, creating a song activity. Keep in mind that songs at English Teachers Everywhere are very short (10 to 90 seconds), so lyrics should be correspondingly mini.

Little Stories
Record yourself telling a little story, about something unusual that happened to you or that you heard about. It should be two minutes or less. If you are not a native English speaker, no problem. All the better. See Little Stories for samples.

Other Voices
Send me a brief bio of you on audio. See Other Voices for examples.

Anything
So, really, anything you see on this site–jokes, culture stuff, holiday stuff, I will put up if it is a useful language learning text.

Sending Audio
First contact me and tell me what you have. I hope that it’s audio–a file in mp3, WAV, or aif format. The recording quality doesn’t have to be perfect. A little noise is okay.
you know how to record yourself digitally, you can submit a joke, a comedy sketch, a Little Story, or an Other Voices interview.

If you know how to record yourself digitally, you can submit a joke, a comedy sketch, a Little Story, or an Other Voices interview.

I would especially like to receive brief audio bios from English teachers or students around the world. I will then, if possible, edit the audio and put it in the “Other Voices” section.

I would also like to receive poems from English students around the world. I may make a song out of the poem, like I did with Teenage Years, and post the song and poem on the site.

In short, anything that fits the categories on this site I will consider putting up.

There’s no pay, just fame.

First contact me, and tell me what your submission is, and, how large the audio file is. Note, that the majority of tthe audio files on this site are 1 minute or less. Think small.

“Little Lit” category provides short bits of English literature. There are poems set to music, tidbits of famous lit, recited poems, and (in the future), little fictions even. This way you can give students language practice while introducing them to literature.

As always, these audios are short–short enough to be done as dictations.

An easy question.

All of them. It is just a matter of the teacher’s intuition and ability to adjust.

Take The Counting Songs. 10 seconds long. The singer counts from one to seven, and then back. It seems like a beginning level activity. Can be. But I have used it at all levels. I have used it with teachers of English and teacher trainers of English. They think it’s easy the first time when they sing “1-2-3-4-5-6-7-7-6-5-4-3-2-1.” But what the heck? The song’s 10 seconds long. It’s not as if you are wasting time. Then they are usually suprised to find that the “2-4-6-8-10-and-12″ version is not so easy, especially counting backwards.

Next, I ask them to write their own number patterns to the karaoke version. We put these on the board and the entire group has to sing/speak them–again at fairly high speed. It’s not just counting anymore. This is tongue training. And because we do the song many times–each one different–there is a high amount of repetition, and repetition is key to language practice.

So a seemingly easy task becomes rich in practice for even advanced levels.

This is why Recycle Songs work for almost any level of learner. When they compose their own words, they are writing to their own level and the level of their peers. Beginners write simple patterns; Ph.ds write complex patterns.

Not all audios are beneficial to basic learners, of course. We don’t want to frustrate them with a lot of language they do not understand. That’s why most of the audio on the site is VERY short. If the teacher presents a short audio task carefully, most students are going to succeed after a few repetitions. And isn’t that what we want–our students to succeed?

I received a letter from H in Sheffield, UK, and H has graciously allowed me to post it here. (I hope that H will do an audio version too–because that’s what ETsEverywhere is all about).


Dear Kevin,

I applaud your efforts to create a new website of ESL audio materials, but in most respects your “site” is glaringly lacking.

May I point out that, unlike yours, most respectable ESL websites–UsingEnglish, Dave’s ESL cafe, etc.– include borders or flash banners devoted to advertisements. Thus, while we are browsing for material it is quite easy to look for ways to spend our money, or to pleasantly distract ourselves with thoughts thereof. This wasn’t possible at your “site.”

I also find your content bizarre. ESL material should be sober for adults, cute and cloying for the young learners. Not plain mad.

And I cannot suss out any reason for texts intended to appeal to Tajiks and such. Students should learn about the UK mostly, and some about America, and perhaps a little about Australia–maybe one text about a koala or something.

My ESL students prefer texts like “At the Tobbaconist’s” or “Mr. Brown on High Street,” and they prefer recordings made NOT by so-called genuine people but by actors—professionals, to wit—whose language is clearer and more practiced than the man on the street.

2) And while we are at it, English students want, deserve, and need to hear native English speakers, and nothing but. Your “Other Voices” section provides recordings of non-native English speakers, from places as far afield as Taiwan, Mexico, and Arizona. If a speaker’s English is not clean, better that students don’t understand it all; otherwise they will learn bad habits.

3) Songs, songs, songs. Really, now. I believe songs should be used in the classroom only as often as we listen to them in real life. I, like most people listen to one song a month (usually something by Gary Numan or In Sync).And Movement Songs? Students don’t learn a language by prancing about. Students learn by sitting at their desks and keeping their noses in the book. Oh, perhaps it’s not glamorous, perhaps it’s not fun, but it works.

Decades of research have not uncovered any method better than the “Three RE-’s Approach.”

A. Read – read a text
B. Recite – (recite the text aloud)
C. Redo – (redo steps A and B).

It is not easy to learn a language, nor is it fun; and the teacher is shirking responsibility if he doesn’t let on to his students. Study is how we learn. Study and hard work. Coupled with the motivational menace of frequent and weighty examinations.

Yours,
H
Sheffield, UK



Here’s a little story about listening comprehension. But first, what do I mean by the EFL (English as a Foreign Language) environment? This would be classrooms generally made up of students who share a common native tongue. Like, for instance, an English class in Japan taught by a Japanese instructor.

The Story
I was training to be an interviewer for Cambridge exams in Samara, Russia. The trainer was British. We trainees were Americans and Russians. We had to evaluate the speaking abilities of several people from different countries. The goal was for all of us pretty much to agree on the level of the speaker. We watched video tapes of interviews and gave our ratings. Most of our evaluations were close, with one exception. One guy on the video–probably from Russia–scored pretty well with the Russian evaluators. We Americans rated a certain Chinese guy higher. The Russians were surprised. They felt that the Chinese guy was hardly comprehensible.

We Americans thought the Chinese guy was understandable, and spoke a little more fluently. Were we Americans right?

Conclusions
Not really. The Russians weren’t being biased, weren’t just favoring a fellow countryman. No, for them the Russian WAS more understandable, because Russian English teachers were accustomed to Russians speaking English. They had far less experience–perhaps none–listening to a Chinese speaker of English.

In a non English-speaking country, like Russia or China, students and teachers often speak beautiful English. They write beautifully. They read easily and prolifically.

But when it comes to listening, we native speakers might have to adjust (or accommodate) our language to be understood. The listening skills have received less attention. It is unlikely that the students–and the teachers–have not engaged in focused listen tasks on a daily basis.  This was born out in my TOEFL preparation classes, where students scored lowest on the Listening portion of the exam.

Increase Listening Tasks: Native and World Englishes
So we see the is importance of increasing listening practice of American, Brit and Aussie English in the EFL environment.

Likewise, it’s necessary to give students listening tasks involving the speech those who speak English as a second or foreign language–Indians, Chinese, Malays, Egyptians, Mexicans, or Vietnamese. Is it not good practice for Russians to understand Chinese speaking English and visa versa?

In our increasingly linked worldwide community, L2 English interactions are becoming more and more common.

In the past, teachers had an excuse not to do so many listening activities. They did not have access to a broad range of audio to do listening activities every day.

But with all the authentic audio available on the Internet, it’s time to dig in and pump up the number of listening activities in your classes. Heck, with English Teachers Everywhere alone you could do a new listening thingy every day of the term.

Why lists? Well, lists are a natural form of thematic grouping. And the mind learns better when it groups things together and makes associations.

Besides, lists are so natural. Everyone makes them now and again. I make a dozen everyday.

And finally, it’s so easy to get more out of List Songs. If the list song is Foods, ask students to make a list of foods before the listening. Give them a time limit. Say, 2 minutes. See if they can predit which foods will appear in the song.

After the listening, create discussion questions about the elements in the list. Or have students create the questions.

Best of all, List Songs involve Listening Skills in the the introducing and/or practicing of vocabulary themes.

In Haystack Words the listener needs to dig out words or phrases from other words, chatter, noises, and so on.

It’s a form of listening that we all do every day. Think of all the conversations we have when there is background noise and distractions. But we don’t practice this form of listening in language lessons much.

The haystack idea, by the way, comes from a childhood memory. On the Fourth of July, at the school near my home, they made a big haystack, and they mixed coins inside–pennies, nickels, dimes–and we kids threw ourselves on the haystack and battled for those coins.

Digging valuable meaning from the haystack, from the extraneous noise, is a necessary langauge skill. These activities try to make practicing that skill a little bit fun.

Most of the songs on the site have been created from a pedagogical point of view. They’ve been written to use as English language teaching tools. But sometimes I have songs that aren’t particularly geared for teaching. That doesn’t mean we can’t use them. It just means that they fall into the category “Silly or Strange Songs.”

The audio files at ETseverywhere.com are in mp3 format. Most computers today will play mp3 files. Still, many English teachers consider themselves technically backward, and they shrink from the idea of anything more complicated than a cassette player.

There are many ways one can use these mp3s. Let me offer some suggestions.

Making an Audio CD: Yes, at some point you—or someone—will need a computer to access the audio. You are free to burn the mp3 files here onto an audio CD to play in the classroom. If you don’t have this capability on your computer, or if you don’t have a computer, find someone who does.

Using the Computer: If you have a laptop computer you can bring it to class and play the files using the computer’s built in speakers. For teachers giving lessons to small groups or private lessons, the volume level will be fine. For teachers with a large class, an option is to buy a small pair of speakers to connect to the computer. In the US, inexpensive speakers can be purchased for ten dollars now.

The Computer Lab: Many universities and some schools have language labs with computers or computer labs. Ask some tech-savvy student to install the necessary mp3s on these computers. Then you can bring the class into the lab and students may listen at their own pace.

mp3 Players:
mp3 players are becoming more common. Most of them are the handheld variety and are used with earphones. But now these handheld devices can be set into a little dock with a set of speakers. In the near future these will be very common.

Cassette Tapes: Many schools will continue to use cassette tape players for several years. Not too worry. Do you have a tape recorder with a microphone at home? Even a little hand-held recorder? Set the recorder next to the speakers of your computer. Play the mp3 file and record it onto the cassette tape. The sound quality is not perfect, but it is functional.

Dictation has a bad reputation, which is precisely why it is such a great example of how we can take some traditional form of English instruction and add variety. Here we use not just language, but sound effects and noises. Still, it is essentially a dictation: students listen and are asked to write/describe what they hear.

More specifically…

Sound Effects Dictations: In these, students hear sounds, and they are asked to describe them or to name them. These are open-ended, meaning there is often more than one correct answer.

In Definition Bingo students listen to definitions of words from average people, and then write down the word being definied.

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